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Sunday, April 29, 2012

Ethos, Pathos, Logos

A General Summary of Aristotle's Appeals . . .
The goal of argumentative writing is to persuade your audience that your ideas are valid, or more valid than someone else's. The Greek philosopher Aristotle divided the means of persuasion, appeals, into three categories--Ethos, Pathos, Logos.
Ethos (Credibility), or ethical appeal, means convincing by the character of the author. We tend to believe people whom we respect. One of the central problems of argumentation is to project an impression to the reader that you are someone worth listening to, in other words making yourself as author into an authority on the subject of the paper, as well as someone who is likable and worthy of respect.
Pathos (Emotional) means persuading by appealing to the reader's emotions. We can look at texts ranging from classic essays to contemporary advertisements to see how pathos, emotional appeals, are used to persuade. Language choice affects the audience's emotional response, and emotional appeal can effectively be used to enhance an argument.
Logos (Logical) means persuading by the use of reasoning. This will be the most important technique we will study, and Aristotle's favorite. We'll look at deductive and inductive reasoning, and discuss what makes an effective, persuasive reason to back up your claims. Giving reasons is the heart of argumentation, and cannot be emphasized enough. We'll study the types of support you can use to substantiate your thesis, and look at some of the common logical fallacies, in order to avoid them in your writing.

Ethos, Pathos, and Logos.
Logos (Greek for 'word') refers to the internal consistency of the message--the clarity of the claim, the logic of its reasons, and the effectiveness of its supporting evidence. The impact of logos on an audience is sometimes called the argument's logical appeal.
Ethos (Greek for 'character') refers to the trustworthiness or credibility of the writer or speaker. Ethos is often conveyed through tone and style of the message and through the way the writer or speaker refers to differing views. It can also be affected by the writer's reputation as it exists independently from the message--his or her expertise in the field, his or her previous record or integrity, and so forth. The impact of ethos is often called the argument's 'ethical appeal' or the 'appeal from credibility.'
[P]athos (Greek for 'suffering' or 'experience') is often associated with emotional appeal. But a better equivalent might be 'appeal to the audience's sympathies and imagination.' An appeal to pathos causes an audience not just to respond emotionally but to identify with the writer's point of view--to feel what the writer feels. In this sense, pathos evokes a meaning implicit in the verb 'to suffer'--to feel pain imaginatively.... Perhaps the most common way of conveying a pathetic appeal is through narrative or story, which can turn the abstractions of logic into something palpable and present. The values, beliefs, and understandings of the writer are implicit in the story and conveyed imaginatively to the reader. Pathos thus refers to both the emotional and the imaginative impact of the message on an audience, the power with which the writer's message moves the audience to decision or action.

Wednesday, November 16, 2011

Man and Nature...


Kyun raahe tu udaas sa,
kyun khoya behisaab sa,
puche tujhse ye saara jahaan,
kya hai teri aisi dastaan...

neeli jheel ki nirmal maya,
behti thi jo chanchal kaya,
kari ho gayi uski chaya,
jeevan usne apna ganwaya...

puche mujhse ye saara jahaan,
sunlo dekho ye hai meri dasataan..

Kyun raahe tu udaas sa,
kyun khoya behisaab sa,
puche tujhse ye saara jahaan,
kya hai teri aisi dastaan...

uchhe kad ki vinamr thi chaya,
usme me jo bachpan tha bitaya,
iss jag ne hai seesh nawaya,
jeevan usne apna ganawaya,

puche mujhse ye saara jahaan,
sunlo dekho ye hai meri dasataan..

shor hai itna tumne badaya,
dhuanwe ka tumne dhund banaya,
dushman sa mujhko hai sataya,
jeevan tumne apna hai ganawaya,

puche mujhse ye saara jahaan,
sunlo dekho teri meri dasataan..

Nayi peedi ki swach dara tu, 
Haath pakad kar waqt ka chal tu,
Dhara ki kanchan pulkit varan tu,
Nayi soch ka mod lekar chal chala tu,

Ab to sunle ye saara jahaan,
Ek nayi anokhi hogi apni dastaan.....

-----Being a PAL
     Nikhil

Saturday, October 1, 2011

If Only..my dedication to its inspiration..

A thousand muted words,
A thousand countenances,
Draped in a smile thou behold,
And a fire that unfold.

Like the dawn of the day,
Like dreams of the night,
All shadowed now, all that swayed
In the gilded petals of frozen might.

Of all the chords and speech,
Nay I am not the note, not right,
Of the all the colors of the life,
Nay I am not the blue and the brown.

But, is a blossom of a floating time,
Wanderings in a rainbow heart,
A fragrance that sublime,
Morning dew on thy nature's art.

Nay not hate me,
With the gleam dropt down afar,
Nay never pain thee,
For the cold of the moment ajar.

Beam like the sun,
Flow like the river,
Twinkle with the stars,
Belong to the serene calm.

Just row the valley within,
Beseech the brows from the way in,
Thou knowest after all,
The symphony of only a longing ode.

A thousand muted words,
A thousand countenances,
Wild is a fire,thou unfold,
And a smile thou behold.